Announcing Spring Season 2027!
Please check Exhibitions for any updates to the below schedule before planning your visit.
January 7-30
George Brandt: Spiritual Excavations 1984-2026
This exhibition features textured mixed-media paintings and assemblage confronting inter generational trauma. Through haunting figures, aggressive marks, and heavily layered surfaces, the work unearths and overcomes the painful legacy of Brandt's father’s Holocaust survival in Poland—a history that indelibly altered and to this day haunts his entire family.
February 4-27
The 16th Annual International Juried Show
Selected by Ryan Hardesty, Executive Director of the Jordan Schnitzer Museum of Art at Washington State University, this open-call exhibition presents original works across a wide range of media, offering a cross-section of contemporary artistic practice.
March 4-27
Shama Shams: In Between
Through layers of photographic transfers, paint, and Bengali text, Shams revisits childhood memories of Bangladesh and the experience of migration.
April 1-May 1
Xin Lu: A Place For A While
Interiors, gardens, gathering places, and open landscapes provide the starting points for Xin Lu’s gorgeous, colorful geometric paintings.
A-M Petersons: Waiting For Death
Hospital-room observations and small, recurring rituals—including counting cargo trucks beyond the window—become a painterly record of anticipatory grief, fragile hope, and the intimate details through which loss takes shape.
Guest Artist Patricia Kalidonis: Of Other Spaces
Combining quilt-like wall hangings, photography, painting, and fiber arts, Kalodonis examines disabled embodiment, disability history, and the connections that emerge from shared isolation. Featuring audio and touch tours.
May 6-29
Li Turner: Cupcakes & Umbrellas
Recasting familiar objects as pointed visual commentary, Turner addresses the politics of women’s bodies, weight, and body image with watercolor and gouache.
Marie Okuma Johnston: Nihonga Americana
During a year spent in Fukuoka, Japan, Johnston created a visual journal using Nihonga, a traditional Japanese painting technique that employs handmade mineral pigments. The resulting paintings weave together folklore, family history, current events, and ordinary encounters.
June 3-26
Robert Bickel: Visual Reflections on Linear Structure
Drawing on his experience in architectural and interior design, Bickel superimposes crisp geometric shapes and linear frameworks over realistic seascapes and landscapes, examining how systems of order intersect with the environments they seek to organize.
H.R. Emi with Elizabeth Montes de Oca: Yakima Valley
Through landscape paintings, depictions of food, and portraits of women whose labor sustains Yakima Valley agriculture, Elizabeth Montes de Oca and H.R. Emi document the lives of immigrant families in central Washington. Their work honors cultural heritage and community resilience while attending to the uncertainty families face amid anti-immigrant rhetoric.
