In her third solo exhibition at Gallery 110, Hopper explores the experience of her family moving from the deep south to Seattle in search of opportunity. With inspiration from her family’s archive of old photographs, she paints compelling portraits of her ancestors during the timeframe of the Great Migration. 

A decade-long photographic archive of pay phones from member K Taka explores connection, neglect, and preservation, revealing what these vanishing public fixtures tell us about culture, technology, and what we choose to keep.