On View October 1-31, 2026

Centering Black and queer figures, Eke reimagines the traditional tarot and its symbolism with playful, galactic motifs.

Highlighting revolutionary and historical African Americans as an Art Nouveau themed deck of cards, Hopper reframes and elevates their histories through stylized portraiture.

Mixed-media collages blur abstraction and landscape through obsessively arranged fragments created over three decades and collected from three centuries. Relentless grids frame shapes that echo natural elements like branching to form one multicellular organism reflecting inner work beyond all-or-nothing thinking.

Dahlia paintings rendered in melted wax create a fresh series balancing the sorrow and joy of the current moment by drawing on traditional flower symbolism. Kapcia melts oil pastels into multi-layered pointillism images based on her own photography from a Skagit Valley nursery in the PNW.

Visit Gallery 110 at Booth C27 during Seattle Art Fair 2026!

Society is forging new paths for women in the art world, yet true progress demands we confront a long-standing ultimatum: career or family. This show celebrates artists who have refused to choose, who do everything to stay true to themselves, holding on to their art — weaving motherhood into their practice. Curated by Rebecca Woodhouse.

A celebration of love as the web of human connection, featuring portraits of family members and friends who have shaped the artist’s life.  Ordinary love burns brighter in the awareness of death. “Life is short, fragile and precious, and love is the point.”

Celebrating drawing as a primal and powerful mode of human expression, in and of itself, unrelated to its usefulness in preparatory studies for paintings and sculptures. Organized by Gallery 110 member Kathy Roseth alongside seminar members and instructor Geoff Flack.

Welcoming four artists to our collective, this new members show features work by Robert Bickel, Kathy Bussert-Webb, Xin Lu, and Shima Star.

Fourteen wall sculptures inspired by each movement of Saint-Saëns’ “The Carnival of the Animals” weave a history of choreography into works of whimsy and delight.

An immersive exploration of myth, material, architecture and and lived experience through paintings and terracotta relief sculptures. 

Behind every eye is a conscious life looking back.

This exhibition presents paintings of the eyes of the twelve animals of the Chinese zodiac, inviting viewers to consider the awareness and inner lives of other beings. Additional mixed-media works featuring landscapes behind chain-link fencing reflect on captivity and the ways humans control other living beings.

Minimalist landscapes set with delicate botanical installations reflect the double layered grief of personal loss and political violence against transgender Americans.

Beauty Shop is a collective of women artists in the Puget Sound area—Saundra Fleming, Ingrid Sojit, Lynette Charters, Kate Harkins, Arni Adler—whose work blends experimentation, sarcasm, idealism, and chutzpah. This debut exhibition celebrates the joy and energy that emerge when diverse sensibilities come together. 

The 15th Annual International Juried Show at Gallery 110 highlights 50 works by contemporary artists selected by juror Stefano Catalani, Executive Director of the Museum of Northwest Art, and features diverse practices across two- and three-dimensional media. 

In the spirit of Janus, Gallery 110 presents a selection of works exploring numerous interpretations of the of various states of transition.

A solo exhibition by Nigerian-born artist Layomi Akinrinade inspired by cosmology, African artistic traditions, and the entanglement of digital culture and human experience.

A diverse array of paintings, sculptures, archival pigment prints, and mixed media works, all under 24 inches wide.

Guided by rhythm and movement, an impressionistic travel journal of oil paintings captures fleeting moments of light in nature and urban settings.

Traditional tattoo forms, textile patterns, miniature painting and vivid South Indian palettes inspire this exploration of folklore as communal inheritance.

In her third solo exhibition at Gallery 110, Hopper explores the experience of her family moving from the deep south to Seattle in search of opportunity. With inspiration from her family’s archive of old photographs, she paints compelling portraits of her ancestors during the timeframe of the Great Migration. 

A decade-long photographic archive of pay phones from member K Taka explores connection, neglect, and preservation, revealing what these vanishing public fixtures tell us about culture, technology, and what we choose to keep.

This exhibition debuts a series of abstract photographic works that transform overlooked details of everyday life into striking snowflake-like forms, balancing technical precision with the beauty of imperfection.

This September, Bangladeshi-American artist Sanjida Mity invites viewers into portals of color and memory with her latest exhibition at Gallery 110, Tales Between Frames. Working in mixed media on glass, she transforms architectural thresholds into vivid visual metaphors for time, transition, and the unseen moment.

As the political landscape grows increasingly fraught, symbols of nationalism have been co-opted by far-right movements. This exhibition by Rebecca Woodhouse challenges that narrative, reclaiming the flag as a symbol of the people—all people.

Four artists, four works, and four displays of materials and documentation of the creative process. A group show curated by George Brandt featuring Carol Adelman, Dorothy Anderson Wasserman, Shruti Ghatak, and Kathy Roseth.

Join us at Booth C23 from July 17th through 20th at the Seattle Art Fair!